%&lplain
\documentstyle[12pt,suthesis]{report}
\def\point{\smallskip\par\noindent\hangindent.5truein\hbox to
.5truein{\hfil$\bullet$\hfil}}

\parindent = 0in
\parskip = 0.1in
\input epsf
\begin{document}

\begin{thebibliography}{999}

	\item[]{\vspace{.5in} \begin{center}\Large Books \end{center}} \normalsize

\bibitem{rf:appelmanbook}\normalsize D.\ R.\ Appelman, {\normalsize \it The Science of Vocal Pedagogy. \rm Bloomington IN: Indiana University Press, 1967.}

\bibitem{rf:backusbook}\normalsize J.\ Backus, {\normalsize \it The Acoustical Foundations of Music. \rm New York: W.\ W.\ Norton, 1969.}

\bibitem{rf:bracewellFourier}\normalsize R.\ N.\ Bracewell, {\normalsize \it The Fourier Transform and Its Applications. \rm New York: McGraw-Hill, 1986.}

\bibitem{rf:bracewellHartley}\normalsize R.\ N.\ Bracewell, {\normalsize \it The Hartley Transform. \rm New York: Oxford University Press, 1986.}

\bibitem{rf:chamberlinbook}\normalsize H.\ Chamberlin, {\normalsize \it Musical Applications of Microprocessors. \rm New Jersey: Hayden Book Company, 1980.}

\bibitem{rf:daniloffcollection}\normalsize R.\ G.\ Daniloff Ed., {\normalsize \it Speech Science - Recent Advances\rm, San Diego, CA: College-Hill Press, 1985.}

\bibitem{rf:fantBook}\normalsize  G.\ Fant, {\normalsize \it Acoustic Theory of Speech Production. \rm The Hague, The Netherlands: Mouton, 1960.}

\bibitem{rf:fantxray}\normalsize  G.\ Fant, {\normalsize \it Acoustic Theory of Speech Production with Calculations Based on X-Ray Studies of Russian Articulations. \rm 2nd Ed., The Hague, The Netherlands: Mouton,  1970.}

\bibitem{rf:flanagananalysis}\normalsize J.\ L.\ Flanagan, {\normalsize \it Speech Analysis, Synthesis, and Perception. \rm 2nd. Ed., Berlin: Springer Verlag, 1972.}

\bibitem{rf:flanagansynthesis}\normalsize J.\ L.\ Flanagan, {\normalsize \it Speech Synthesis. \rm 2nd. Ed., Stroudsburg, PA.: Hutchinson and Ross, 1973.}

\bibitem{rf:gardner}\normalsize  H.\ Gardner, {\normalsize \it Frames of Mind: the Theory of Multiple Intelligences. \rm New York: Basic Books, 1983.}

\bibitem{rf:hessbook}\normalsize  W.\ Hess, {\normalsize \it Pitch Determination of Speech Signals. \rm Berlin: Springer Verlag, 1983.}

\bibitem{rf:lawrenceweinberg}\normalsize V.\ Lawrence and B.\ Weinberg Eds.,  {\normalsize \it Transcripts of the Eighth Symposium: Care of the Professional Voice, Part I: Physical Factors in Voice, Vibrato, Registers. \rm pp. 50-56, New York: The Voice Foundation, 1980.}

\bibitem{rf:ljungsoderstrom}\normalsize L.\ Ljung and T.\ S$\ddot{\mbox{o}}$derstr$\ddot{\mbox{o}}$m, {\normalsize \it Theory and Practice of Recursive Identification. \rm Cambridge, MA: MIT Press, 1987.}

\bibitem{rf:markelgray}\normalsize J.\ D.\ Markel and A.\ H.\ Gray, {\normalsize \it Linear Prediction of Speech. \rm New York: Springer Verlag, 1976.}

\bibitem{rf:mvmbook}\normalsize  M.\ V.\ Mathews, Ed.\, {\normalsize \it Some Current  Directions in Computer Music Research.\rm, Cambridge MA, MIT Press, pp. 57-63, 1989.}

\bibitem{rf:millerbook}\normalsize R.\ Miller, {\normalsize \it The Structure of Singing: System and Art in Vocal Technique. \rm New York: Schirmer Books, Macmillan, 1986.}

\bibitem{rf:moorehearing}\normalsize  B.\ C.\ J.\ Moore, {\normalsize \it An Introduction to the Psychology of Hearing. \rm London: Academic Press, 1982.}

\bibitem{rf:morse}\normalsize P.\ M.\ Morse, {\normalsize \it Vibration and Sound. \rm Acoustical Society of America, 1976.}

\bibitem{rf:morse}\normalsize P.\ M.\ Morse and K.\ U.\ Ingard, {\normalsize \it Theoretical Acoustics. \rm Princeton, NJ: Princeton University Press, 1968.}

\bibitem{rf:oppenheimschafer}\normalsize A.\ V.\ Oppenheim and R.\ W.\ Schafer, {\normalsize \it Digital Signal Processing. \rm New Jersey, Prentice-Hall, 1975.}

\bibitem{rf:oshaughnessy}\normalsize D.\ O'Shaughnessy, {\normalsize \it Speech Communication, Human and Machine. \rm Addison-Wesley, Reading, MA, 1987.}

\bibitem{rf:RITCollection} {\normalsize \it Research Aspects on Singing\rm, pp. 15-33, Stockholm: Royal Swedish Academy of Music, 1981.}

\bibitem{rf:rabinergold}\normalsize L.\ R.\ Rabiner and B.\ Gold, {\normalsize \it Theory and Application of Digital Signal Processing. \rm New Jersey: Prentice-Hall, 1975.}

\bibitem{rf:roadsstrawn}\normalsize C. Roads and J. Strawn Eds.\ , {\normalsize \it Foundations of Computer Music. \rm pp. 326-334, MIT Press, 1985.}

\bibitem{rf:stanleybook}\normalsize D.\ Stanley, {\normalsize \it The Science of Voice. \rm New York: Carl Fischer, 1958.}

\bibitem{rf:sundbergbook}\normalsize J.\ Sundberg, {\normalsize \it The Science of The Singing Voice. \rm Dekalb Il.: Northern Illinois University Press, 1987.}

\bibitem{rf:sundbergvibrato}\normalsize J.\ Sundberg, {\normalsize ``Vibrato and Vowel Identification," Archives of Acoustics, vol. 2, pp. 257-266, 1977.}

\bibitem{rf:vennardbook}\normalsize W.\ Vennard, {\normalsize \it Singing, the Mechanism and the Technic. \rm New York: Carl Fischer, 1967.}

\bibitem{rf:widrowstearns}\normalsize  B.\ Widrow and S.\ D.\ Stearns, {\normalsize \it Adaptive Signal Processing. \rm New Jersey: Prentice-Hall, 1985.}

\end{thebibliography} 

 \end{document}		